MAAZEL: THE COMPLETE EARLY RECORDINGS ON DEUTSCHE
MAAZEL: THE COMPLETE EARLY RECORDINGS ON DEUTSCHE
MAAZEL, LORIN
product information
Condition: New, UPC: 0289479430680, Publication Date: 02/17/2015, Type: COMPACT DISC, Style: CLASSICAL/CHAMBER MUSIC & RECITALS,
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description

tracks

Roméo Et Juliette, Op.17 (Excerpts) (Symphonie Dramatique)
Grande Fête Chez Les Capulets = The Capulet's Ball
La Reine Mab = Queen Mab. Scherzo
Scène D'amour = Love Scene
Romeo Au Tombeau Des Capulets = Romeo At The Capulet's Tomb
Romeo And Juliet (Fantasy Overture After Shakespeare)
Romeo And Juliet (Excerpts From Suites Op. 64 Nos. 1 & 2)
The Montagues And The Capulets (Suite No. 2, 1)
Dance (Suite No. 2, 4)
Romeo At Juliet's Tomb (Suite No. 2, 7)
Dance Of The Girls From The Antilles (Suite No. 2, 6)
Tybalt's Death (Suite No. 1, 7)
L'Oiseau De Feu = The Firebird (Suite (1919))
Introduction - L'Oiseau De Feu Et Sa Danse = Introduction - The Firebird And It's Dance
Variation De L'Oiseau De Feu - Variation Of The Firebird
Ronde Des Princesses - Round Dance Of The Princesses (Khorovode)
Danse Infernale Du Roi Kachtcheï = Infernal Dance Of King Kaschei
Berceuse = Lullaby
Final
Le Chant Du Rossignol (Poème Symphonique) = The Song Of The Nightingale (Symphonic Poem)
Introduction. Presto - Andantino - Tempo I
Marche Chinoise = Chinese March
Chant Du Rossignol = Song Of The Nightingale
Jeu Du Rossignol Mécanique = The Mechanical Nightingale's Game
Symphony No. 5 In C Minor Op. 67
1. Allegro Con Brio
2. Andante Con Moto
3. Allegro
4. Allegro
Overture "The Consecration Of The House" Op. 124
Symphony No. 3 In F Major Op. 90
1. Allegro Con Brio - Un Poco Sostenuto - Tempo I
2. Andante
3. Poco Allegretto
4. Allegro
Tragic Overture Op.81
Pini Di Roma = The Pines Of Rome
I Pini Di Villa Borghese = The Pines Of Villa Borghese (Allegretto Vivace - Vivace)
Pini Presso Una Catacomba = Pines Near A Catacomb (Lento
I Pini Del Gianicolo = The Pines Of The Janiculum (Lento)
I Pini Della Via Appia = The Pines Of The Appian Way (Tempo Di Marcia)
Night On Bold Mountain
Capriccio Espagnol, Op.34
1. Alborada. Vivo E Strepitoso
2. Variazioni. Andante Con Moto
3. Alborada. Vivo E Strepitoso
4. Scena E Canto Gitano. Allegretto
5. Fandango Asturiano
Symphony No. 4 In C Minor D 417 "Tragic"
1. Adagio Molto - Allegro Vivace
2. Andante
3. Menuetto. Allegro Vivace - Trio
4. Allegro
Symphony No. 8 In B Minor D 759 "Unfinished"
1. Allegro Moderato
2. Andante Con Moto
Symphony No.1 In E Flat Major K 16
1. Allegro Molto
2. Andante
3. Presto
Symphony No. 28 In C Major K 200 (189k)
1. Allegro Spiritoso
2. Andante
3. Menuetto (Allegretto)
4. Presto
Symphony No.41 In C Major K 551 "Jupiter"
1. Allegro Vivace
2. Andante Cantabile
3. Menuetto. Allegretto - Trio
4. Finale. Molto Allegro
Symphony No. 6 In F Major Op.68 "Pastoral"
1. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande = Awakening Of Cheerfull Feelings Upon Arrival In The Country (Allegro Ma Non Troppo)
2. Szene Am Bach = Scene By The Brock (Andante Molto Mosso)
3. Lustiges Zusammensein Der Landleute = Merry Gathering Of Country Folk (Allegro)
4. Gewitter, Sturm = Thunderstorm (Allegro)
5. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm = Shepherds' Song: Happy And Thankful Feelings After The Storm (Allegretto
12 Contredanses For Orchestra WoO 14
No. 1 In C Major
No. 2 In A Major
No. 3 In D Major
No. 4 In B Flat Major
No. 5 In E Flat Major
No. 6 In C Major
No. 7 In E Flat Major
No. 8 In C Major
No. 9 In A Major
No. 10 In C Major
No. 11 In G Major
No. 12 In E Flat Major
L'Enfant Et Les Sortilèges (Fantaisie Lyrique) = The Child And The Spells (Lyrical Fantasy)
J'ai Pas Envie De Faire Ma Page"
Bébé A Été Sage?
Ça M'est Égal!
Votre Serviteur Humble, Bergère
Ding, Ding, Ding, Ding
How's Your Mug?
Keng-Ça-Fou, Mah-Jong
Oh! Ma Belle Tasse Chinoise!
Arrière! Je Réchauffe Les Bons
Adieu, Pastourelles!
Ah! C'est Elle! C'est Elle!"
Toi, Le Cœur De La Rose
Deux Robinets Coulent Dans Un Réservoir!
Oh! Ma Tête!
Duo Miaulé
Musique D'insectes, De Rainettes, Etc.
Ah! Quelle Joie de Te Retrouver, Jardin!
Où Es-tu? Je Te Cherche...
Ronde Des Chauves-Souris: Rends-la Moi...Tsk, Tsk...
Danse Des Rainettes
Sauve-toi, Sotte! Et la Cage? La Cage?
La Cage, C'était Pour Mieux Voir Ta Pretesse
Ah! C'est L'Enfant Au Couteau"
Il A Pansé La Plaie...
Il Est Bon, L'Enfant, Il Est Sage
Symphony No. 4 In A Major Op. 90 "Italian"
1. Allegro Vivace
2. Andante Con Moto
3. Con Moto Moderato
4. Saltarello. Presto
Symphony No. 5 In D Major Op. 107 "Reformation"
1. Andante - Allegro Con Fuoco
2. Allegro Vivace
3. Andante
4. Chorale: "Ein' Feste Burg Ist Unser Gott!". Andante Con Moto - Allegro Maestoso
Symphony No.5 In B Flat Major D 485
1. Allegro
2. Andante Con Moto
3. Menuetto. Allegro Molto - Trio
4. Allegro Vivace
Symphony No.6 In C Major D 589 "Little C Major Symphony"
1. Adagio - Allegro
2. Andante
3. Scherzo. Presto - Più Lento
4. Allegro Moderato
Symphony In D Minor
1. Lento - Allegro Non Troppo
2. Allegretto
3. Allegro Non Troppo
The Young Person's Guide To The Orchestra Op.34 (Variatins And Fugue O A Theme Of Purcell)
Tuning Up - "These Are Sounds Made By A Hundred Musicians Playing Many Different Kinds Of Instruments"
"It All Starts With An Idea"
"All Of Them Are Now Ready..." Theme
"It Is Time That Each Instrument Speak For Itself" Variation A
"When Two Oboes Discuss The Theme, Their Observation May Seen More Penetrating" Variation B
"Clarinets Are Glib Talkers And Are Very Popular" Variation C
"Easily Recognized Is The Gossip Of The Bassoon" Variation D
"Thirty Of The Sixty String Players Are Violinists" Variation E
"The Alto Voice Of The Viola Is Larger Than The Violin's" Variation F
"The Violoncello Is Larger Still" Variation G
"The Double Bass Stands As High As A Man" Variation H
"Words Plucked From Any Of The Harp´s 47 Strings Are Always Easy To Understand" Variation I
"The Horn Is A Brass Instrument" Variation J
"These Two Trumpets Challenge Each Other In A Brilliant Exchange" Variation K
"The Giants Of The Brass, The Trombones And Tuba, Always Like To Have The Last Word" Variation L
"The Comment Of The Percussion Is Right To The Point" Variation M
"Everyone Has Had His Say" Fugue
Peter And The Wolf (A Musical Tale For Children), Op. 67
Introduction: "Peter And The Wolf - A Musical Tale For Children"
"Now To Our Story. Early One Morning, Peter Opened The Gate..."
"Suddenly, Something Caught Peter's Attention"
"No Sooner Had Peter Gone..."
"And Now, This Is How Things Stood"
"But Now ... Now The Hunters Came Out Of The Woods"
"And Now ... Now Imagine The Triumphant Procession"
Symphony No. 4 In F Minor Op.36
1. Andante Sostenuto - Moderato Con Anima
2. Andantino In Modo Di Canzone
3. Scherzo (Pizzicato Ostinato). Allegro
4. Finale. Allegro Con Fuoco
Symphony No. 2 In B Flat Major D 125
1. Largo - Allegro Vivace
2. Andante
3. Menuetto. Allegro Vivace - Trio
4. Presto Vivace
Symphony No. 3 In D Major D 200
1. Adagio Maestoso - Allegro Con Brio
2. Allegretto
3. Menuetto. Vivace
4. Presto Vivace
L'Heure Espagnole (Comédie Musicale En Un Acte = Comic Opera In One Act)
Introduction
Scène I. Señor Torquemada, Horloger De Tolède?
Scène II. Totor!
Scène III. Il Reste, Voilà Bien Ma Chance!
Scène IV. Il Était Temps, Voici Gonzalve!
Scène V. C'est Fait, L'Horloge Est À Sa Place
Scène VI. Maintenant Pas De Temps À Perdre!
Scène VII. Salut À La Belle Horlogère!
Scène VIII. Voilà! ... Et Maintenant À L'autre!
Scène IX. Evidemment, Elle Me Congédie
Scène X. Voilà Ce Que J'appelle Une Femme Charmante
Scène XI. Monsieur! Ah! Monsieur!
Scène XII. Enfin, Il Part!
Scène XIII. Voilà L'objet!
Scène XIV. Ah! Vous, N'est-ce Pas, Preste! Leste!
Scène XV. En Dépit De Cette Inhumaine
Scène XVI. Voilà Ce Que J'appelle Une Femme Charmante
Scène XVII. Oh! La Pitoyable Aventure!
Scène XVIII. Voilà! ... Et Maintenant, Senora, Je Suis Prêt
Scène XIX. Mon Oeil Anxieux Interroge
Scène XIX. Adieu, Cellule, Adieu, Donjon!
Scène XX. Il N'est Pour L'Horloger
Scène XXI. Pardieu, Déménageur, Vous Venez À Propos!
Scène XXI. Un Financier ... Et Un Poète
El Amor Brujo (Escenas Gitanas De Andalucía - Ballet En Un Acto) = Love, The Magician (Andalucian Gyspy Scenes - Ballet In One Act)
Introducción Y Escena
En la Cueva. La Noche = In The Cave. Night
Canción Del Amor Dolido = Song Of Suffering Love
El Aparecido = The Apparition
Danza Del Terror = Dance Of Teror
El Círculo Mágico. Romace Del Pescador = The Magic Circle. Song Of The Fisherman
A Medianoche. Los Sortilegios = Midnight. The Spells
Danza Ritual Del Fuego, Para Ahuyentar Los Malos Espíritus = Ritual Fire Dance, To Chase Away The Evil Spirits
Escena
Canción Del Fuego Fátuo = Song Of The Will-o'-the-wisp
Pantomima
Danza Del Juego De Amor = Dance Of The Game Of Love
Final. Las Campanas Del Amanecer = Finale. The Bells Of Dawn
Dances From "El Sombrero De Tres Picos" = "The Three-Cornered Hat"
Danza De La Molinera = Dance Of The Miller's Wife (Fandango)
Danza De Los Vecinos = Dance Of The Neighbours (Seguidilla)
Danza Del Molinero = Dance Of The Miller (Farruca)
Danza Final (Jota)

notes

CD1:
Mono Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 2-6/1957
(P) 1957 Deutsche Grammophon GmbH, Berlin

CD2:
Mono Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 6/1957
Publisher: Musikverlage International Hans Sikorski (Prokofiev)
(P) 1957 Deutsche Grammophon GmbH, Berlin

CD3:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 11/1957
Publishers: Schott Music GmbH & Co. KG, Mainz (L'Oiseau De Feu); Boosey & Hawkes/Bote & Bock, Berlin (Le Chant Du Rossignol)
(P) 1958 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 006 SLPM

CD4:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 5/1958 Overture), 5-6/1958 (Symphony)
(P) 1958 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 008 SLPM

CD5:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 1/1959
(P) 1958 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 022 SLPM

CD6:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 12/1958 (Respighi, Rimsky-Korsakov), 2/1959 (Mussorgsky)
(P) 1959, 1960 (Rimsky-Korsakov) Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 033 SLPM

CD7:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 11/1959
(P) 1961 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 128 SLPM

CD8:
Stereo Recording: Paris, Salle de la Mutualité, 1/1960
(P) 2004 Deutsche Grammophon GmbH, Berlin
The recordings on this CD were never released on LP. They were first released on CD in 2004.

CD9:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 11-12/1959, 3/1960 (Symphony), 11/1959, 3-4/1960 (12 Controdanses)
(P) 1960 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 642 SLPM

CD10:
Stereo Recording: Paris, Salle de la Mutualité, 11/1960
Publisher: Durand & Cie, Paris
(P) 1961 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 675 SLPM

CD11:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 4/1960 (No. 4), 1/1961 (No. 5)
(P) 1961 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 684 SLPM

CD12:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 1/1961
(P) 1961 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 685 SLPM

CD13:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 1/1961
(P) 1962 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 693 SLPM

CD14:
Stereo Recording: Paris, Salle de la Mutualité, 1-2/1962
Lorin Maazel's narration (spoken text) has been especially edited by the conductor for this recording with the composer's approval.
Publishers: Boosey & Hawkes/Bote & Bock, Berlin (Britten); Musikverlage International Hans Sikorski (Prokofiev)
(P) 1963 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 746 SLPM

CD15:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 1/1960
(P) 1962 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: SLPM 138 789

CD16:
Stereo Recording: Berlin-Dahlem, Jesus-Christus-Kirche, 3/1962
(P) 1962 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: SLPM 138 790

CD17:
Stereo Recording: Paris, O.R.T.F., 2/1965
(P) 1965 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 138 970 SLPM

CD18:
Stereo Recording: Paris, O.R.T.F., 6/1965
Publisher: Chester Music Ltd.
(P) 1966 Deutsche Grammophon GmbH, Berlin
Cat# on front cover replica of the original release: 139 115 SLPM

This edition (P) 2015 Deutsche Grammophon GmbH, Berlin
(C) 2015 Deutsche Grammophon GmbH, Berlin
Printed in the EU.
Made in the EU.

Packaged in a hard cardboard box with CDs in individual, original artwork front cover, cardboard sleeves (except CD1 & CD2, housed in a 4-panel, original artwork front cover, digifile) and a 46-page booklet. Eventual Cat# appearing on the sleeve replicas are proper of the original releases and not of this reissue therefor these info are not mentioned in the Barcodes and Other Identifiers / Label, Company, Catalog Number, Etc. sections but in the Notes section.

Tracklist given in Original language with English, German and French translations. Tracklist above shows only the original language title with eventually the English translation. Headings show the album titles as appear on the original cover art sleeves (First language was preferred).

credits


Art Direction [Box] – Merle Kersten
Booklet Editor – Jens Schünemeyer, Texthouse
Conductor – Lorin Maazel
Design [Box] – Anna Reinhardt
Engineer [Recording Engineer] – Alfred Steinke (tracks: 2-1), Gerhard Henjes (tracks: 6-1 to 6-4, 6-6 to 7-6, 9-1 to 9-17, 11-1 to 11-8, 15-1 to 15-4), Günter Hermanns (tracks: 10-1 to 10-25, 18-1 to 18-1), Harald Baudis (tracks: 12-1 to 12-8, 14-1 to 14-24), Heinrich Keilholz (tracks: 16-1 to 16-8), Heinz Wildhagen, Walter Alfred Wettler (tracks: 5-1 to 5-5, 6-5, 8-1 to 8-11, 13-1 to 13-3), Werner Wolf (tracks: 1-1 to 1-4, 2-2 to 4-5)
Executive-Producer – Prof. Elsa Schiller, (tracks: 1-1 to 16-8), Karl Faust (tracks: 17-1 to 17-24), Otto Gerdes (tracks: 18-1 to 18-17)
Illustration [Cover Illustration, Sleeve CD8] – Anna Reinhardt
Liner Notes – Tully Potter
Liner Notes [Translation] – Dennis Collins (2), Eva Zöllner
Painting [Cover, Watercolour By (1825), Sleeve CD16] – W. A. Rieder,
Photography By [Box Cover Photo / Artist Photo, Booklet pp. 28 & 29] – Ilse Buhs
Photography By [Cover Photo, Sleeve CD1, CD2, CD4 / Artist Photo, Booklet pp. 17 & 22] – Rosemarie Clausen
Photography By [Cover Photo, Sleeve CD12] – Leloir,
Photography By [Cover Photo, Sleeve CD13 / Artist Photo, Booklet p. 8] – Max Jacoby
Photography By [Cover Photo, Sleeve CD16] – akg-images
Photography By [Cover Photo, Sleeve CD18] – Gerd Siess
Photography By [Cover Photo, Sleeve CD5] – Felicitas,
Producer [Recording Producer] – Hans Ritter (tracks: 5-1 to 5-5, 10-1 to 10-25, 14-1 to 14-24), Hans Weber (tracks: 6-1 to 6-10, 8-1 to 8-11, 13-1 to 13-3, 15-1 to 15-4), Heinz Wildhagen, Karl Faust (tracks: 18-1 to 18-17), Karl-Heinz Schneider (tracks: 4-1 to 4-5, 7-1 to 7-6, 9-1 to 9-17, 11-1 to 12-8), Wolfgang Lohse (tracks: 1-1 to 3-10, 16-1 to 16-8)
Product Manager [Project Manager] – Harald Reiter

companies


Phonographic Copyright (p) – Deutsche Grammophon GmbH
Copyright (c) – Deutsche Grammophon GmbH
Recorded At – Jesus-Christus-Kirche, Berlin
Recorded At – Salle de la Mutualité, Paris
Recorded At – Studios De l'O.R.T.F.
Published By – Internationale Musikverlage Hans Sikorski
Published By – Schott Music GmbH & Co KG
Published By – Boosey & Hawkes
Published By – Bote & Bock
Published By – Durand & Cie.
Published By – Chester Music Ltd.
Marketed By – Sinfini Music
Made By – EDC, Germany
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