PREMIERE RECORDINGS 7
PREMIERE RECORDINGS 7
CARTER / HODGES / LSO / BBC SYM ORCH / KNUSSEN
product information
Condition: New, UPC: 0904049184212, Publication Date: 12/27/2005, Type: COMPACT DISC, Style: CLASSICAL/CHAMBER MUSIC & RECITALS,
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description

tracks

Dialogues (For Piano And Chamber Orchestra)
Boston Concerto (For Orchestra)
I Allegro Staccatissimo
II Lento, Teneramente
IIITempo Primo
IV Meno Mosso
V Piu Mosso, Tempo Primo
VI Meno Mosso
VII Tempo Primo
VIII Lento, Sostenuto
IX Tempo Primo
X Piu Mosso
XI Tempo Primo
XII Maestoso - Molto Espr.
XIII Tempo Primo
Cello Concerto (For Cello And Orchestra)
I Drammatico
II Allegro Appassionato
III Giocoso
IV Lento
V Maestoso
VI Tranquillo
VII Allegro Fantastico
Asko Concerto (For Chamber Ensemble)

notes

Total Time: 61:22

This recording is dedicated to the memory of Helen Carter. Except for the Asko Concerto (2000), these are all premiere recordings.

Dialogues recorded January 24, 2004; BBC Maida Vale Studio 1
Boston Concerto recorded April 6, 2004; BBC Maida Vale Studio 1
Cello Concerto recorded April 7, 2004; BBC Maida Vale Studio 1
ASKO Concerto recorded April 26, 2000; World Premiere performance recorded live at The Concertgebouw, Amsterdam by ©VPRO Radio

Special thanks to: Anthony Fogg, Betty Freeman, Halley Harrisburg, Willem Hering, Paul Hughes, James Kendrick, Phil Lesh, Ann McKay, Holly Mentzer, Edward Peterson, David Ravden, Andre Tchelistcheff and Claude Wilson.

This recording was made possible through the generous support of the Musical Explorations Society, The Aaron Copland Fund for Music, Inc. and the Unbroken Chain Foundation.

Cover Painting: 'Prince Charming' 1956, Pavel Tchelitchew courtesy of Elliott Carter

℗ and © 2005 Bridge Records, Inc. 200 Clinton Avenue, New Rochelle, NY.

Jewel case includes an illustrated 28-page booklet with a complete track list, credits and notes in English.

The spine reads "The Music Of Elliott Carter Volume Seven".

NOTE: The last work on this disc, ASKO Concerto, is spelled throughout the booklet in all capital letters. However, the ensemble for which the work is named, Asko Ensemble, does not officially spell its name in all caps. Furthermore, Carter's publisher, Boosey & Hawkes, lists the work in its catalog as Asko Concerto.

credits


Bass – Adolf Mink (tracks: 2 to 21), Clare Tyack (tracks: 2 to 21), Dylan Marvelly (tracks: 2 to 21), Jenni Workman (tracks: 2 to 21), Marian Gulbicki (tracks: 2 to 21), Michael Clarke (19) (tracks: 2 to 21), Paul Marrion (tracks: 2 to 21), Richard Alsop (tracks: 2 to 21)
Bass Clarinet – Duncan Swindells (tracks: 2 to 21), Harry Sparnaay (tracks: 22), Peter Furniss (tracks: 2 to 21)
Bass Trombone – Stephen Saunders (tracks: 2 to 21)
Bassoon – Alan Wesly (tracks: 22), Graham Sheen (tracks: 2 to 21), Susan Frankel (tracks: 2 to 21)
Bassoon, Contrabassoon – John Orford (tracks: 1)
Cello – Charles Martin (18) (tracks: 2 to 21), Clare Hinton (tracks: 2 to 21), Doris Hochscheid (tracks: 22), Graham Bradshaw (tracks: 2 to 21), Janice Brodie (tracks: 2 to 21), Judith Herbert (tracks: 2 to 21), Lionel Handy (tracks: 1), Marie Strom, (tracks: 2 to 21), Mark Sheridan (3) (tracks: 2 to 21), Philip Taylor, (tracks: 2 to 21), Sarah Hedley Miller (tracks: 2 to 21), Tamsy Kaner (tracks: 2 to 21), Timothy Gill (tracks: 1), Zoe Martlew (tracks: 1)
Clarinet – Barre Bouman (tracks: 22), Mark Van De Wiel (tracks: 1), Peter Davis (19) (tracks: 2 to 21), Richard Hosford (tracks: 2 to 21)
Co-producer – BBC Radio 3, BBC Symphony Orchestra
Composed By – Elliott Carter
Conductor – Oliver Knussen
Contrabass Clarinet – Alan Andrews (tracks: 2 to 21)
Contrabassoon – Simon Estell (tracks: 2 to 21)
Cor Anglais – Celia Craig (tracks: 2 to 21)
Double Bass – Corin Long (tracks: 1), Graham Mitchell (8) (tracks: 1), Pieter Smithuijsen (tracks: 22)
Edited By [Editing Engineer] – Tim Martyn
Engineer [Assistant Engineer] – Andrew Hallifax
Engineer [Recording Engineer] – Tryggvi Tryggvason (tracks: 1 to 21), Willem Muller (tracks: 22)
Executive-Producer, Coordinator – Virgil Blackwell
Flute – Eleonore Pameijer (tracks: 22), Michael Cox (3) (tracks: 2 to 21), Richard Stagg (tracks: 2 to 21)
Flute, Piccolo Flute – Sebastian Bell (tracks: 1)
French Horn – Jan Harshagen (tracks: 22)
Graphic Design – Alexis Napoliello
Harp – Sioned Williams (tracks: 2 to 21)
Horn – Alexia Cammish (tracks: 2 to 21), Christopher Newport (tracks: 2 to 21), Emma Greenwood (tracks: 2 to 21), Martin Owen (tracks: 1), Michael Murray (6) (tracks: 2 to 21), Michael Thompson (2) (tracks: 1)
Liner Notes – Bayan Northcott
Oboe – Marieke Schut (tracks: 22), Nicola Holland (tracks: 2 to 21), Richard Simpson (3) (tracks: 2 to 21)
Oboe, Cor Anglais – Gareth Hulse (tracks: 1)
Painting, Cover – Pavel Tchelitchew
Percussion – Alex Neal (tracks: 2 to 21), Joseph Cooper (6) (tracks: 2 to 21), Peppie Wiersma (tracks: 22), Sam Walton (tracks: 2 to 21)
Photography By [Photo of Elliott Carter & Oliver Knussen] – Betty Freeman
Photography By [Photo of Fred Sherry] – Josef Astor
Photography By [Photo of Nicolas Hodges] – Philippe Gontier
Photography By [Photo of Oliver Knussen] – Clive Barda
Photography By [Photos of Helen & Elliott Carter] – Elliott Carter
Photography By [Traycard Photo of Elliott Carter] – Becky Starobin
Piano – Elizabeth Burley (tracks: 2 to 21), Niek de Vente (tracks: 22)
Piccolo Flute – Kathleen Stevenson (tracks: 2 to 21)
Post Production – David Frost (2)
Producer – Colin Matthews (tracks: 1), Sonya Knussen (tracks: 2 to 21)
Recorded By – Anneke van Dulken (tracks: 22), Wim Laman (tracks: 22)
Timpani – Chris Hind, (tracks: 2 to 21)
Trombone – Michael Lloyd (12) (tracks: 2 to 21), Roger Harvey (tracks: 2 to 21), Simon Wills (2) (tracks: 1), Toon van Ulsen (tracks: 22)
Trumpet – Andrew Crowley, (tracks: 1), Gareth Bimson (tracks: 2 to 21), Hendrik Jan Lindhout (tracks: 22), Martin Hurrell (tracks: 2 to 21), Paul Cosh (tracks: 2 to 21)
Tuba – David Powell (tracks: 2 to 21)
Viola – Adrian Smith (3) (tracks: 2 to 21), Andrew Parker (2) (tracks: 1), Audrey Henning (tracks: 2 to 21), Caroline Harrison (tracks: 2 to 21), James Boyd (tracks: 1), James Opie (tracks: 2 to 21), Jane Atkins (tracks: 1), Liesbeth Steffens (tracks: 22), Michael Leaver, (tracks: 2 to 21), Natalie Taylor (3) (tracks: 2 to 21), Natasha Wright (tracks: 2 to 21), Nikos Zarb (tracks: 2 to 21), Patrick Cardas (tracks: 2 to 21), Philip Hall (tracks: 2 to 21), Rebecca Chambers (tracks: 2 to 21), Stephen Shakeshaft (tracks: 2 to 21)
Violin – Clio Gould (tracks: 1), David Alberman (tracks: 1), Erik Kromhout (tracks: 22), Galina Solodchin (tracks: 1), Jan Erik van Regteren Altena (tracks: 22), Joan Atherton (tracks: 1), Miranda Fulleylove (tracks: 1), Simon Smith (6) (tracks: 1)
Violin [1st Violin] – Amyn Merchant (tracks: 2 to 21), Charles Renwick (tracks: 2 to 21), Colin Huber (tracks: 2 to 21), Dean Williamson (tracks: 2 to 21), Dominic Moore (3) (tracks: 2 to 21), Eleanor Mathieson (tracks: 2 to 21), Emily Francis (3) (tracks: 2 to 21), Fiona Brett (tracks: 2 to 21), Frances Dewar (tracks: 2 to 21), Jenny King (tracks: 2 to 21), Jeremy Martin (2) (tracks: 2 to 21), Julian Trafford (tracks: 2 to 21), Richard Aylwin (tracks: 2 to 21), Ruth Ben-Nathan (tracks: 2 to 21), Ruth Schulten (tracks: 2 to 21), Stephen Bryant (tracks: 2 to 21)
Violin [2nd Violin] – Anna Colman (tracks: 2 to 21), Daniel Meyer (5) (tracks: 2 to 21), Danny Fajardo (tracks: 2 to 21), Dawn Beazley (tracks: 2 to 21), Gareth Griffiths (tracks: 2 to 21), Hania Gmitruk (tracks: 2 to 21), Helen Cooper (tracks: 2 to 21), Keith Gurry (tracks: 2 to 21), Lucy Curnow (tracks: 2 to 21), Mark Walton (3) (tracks: 2 to 21), Patrick Wastnage (tracks: 2 to 21), Philippa Ballard (tracks: 2 to 21), Rachel Samuel (2) (tracks: 2 to 21), Ruth Hudson

companies


Recorded At – Maida Vale Studio 1
Recorded At – Concertgebouw, Amsterdam
Recorded By – VPRO Radio
Edited At – Phoenix Audio
Phonographic Copyright (p) – Bridge Records, Inc.
Copyright (c) – Bridge Records, Inc.
Copyright (c) – Bayan Northcott
Record Company – Bridge Records, Inc.
Published By – Hendon Music
Published By – Boosey & Hawkes Music Publishers Ltd
Manufactured By – Americ Disc
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