ENGLISH MUSIC (ITA)
ENGLISH MUSIC (ITA)
HOGWOOD, CHRISTOPHER
product information
Condition: New, UPC: 0289482325980, Publication Date: 07/17/2015, Type: COMPACT DISC, Style: CLASSICAL/ORCHESTRAL & SYMPHONIC,
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tracks

"Staircase" Overture
"If Music Be The Food Of Love" Z 397C
Cebell
"To Arms, To Arms, Heroic Prince" Z 600/3b (The Libertine Destroyed, 1695)
"To Arms"
"Tell Me, Some Pitying Angel" Z 196
Slow Air
"We Come To Sing"
"Oh! Lead Me To Some Peaceful Gloom" Z 574/17a (Bonduca, 1695)
"O Solitude" Z 406
"Hark! Hark! The Echoing Air" (The Fair Queen, 1692)
Trumpet Tune
"Sweeter Than Roses" Z 585/1 (Pausanias, 1695)
"Fairest Isle " Z 628/38 (King Arthur, 1691)
"She That Would Gain A Faithful Lover" Z 414
"Cupid, The Slyest Rogue Alive" Z 36
"I Attempt From Love's Sickness To Fly" Z 630/17h (The Indian Queen, 1695)
Jig
"Music For A While" Z 583/2 (Oedipus, 1692)
"The Fatal Hour Comes On Apace" Z 421
"Hear, Mighty Love"
Plainte: "O, Let Me Weep " Z 629/40ab (The Fairy Queen, 1692)
Chacony In G Minor, Z 730
"Ah! How Sweet It Is To Love" Z 613/2 (Tyrranic Love)
Hark! Hark! How All Things
Crown The Altar, Deck The Shrine
If Music Be The Food Of Love
Not All My Torments
O, O Let Me Weep
I Attempt From Love's Sickness To Fly
Olinda In The Shades Unseen
Urge Me No More
Bess Of Bedlam
Lovely, Lovely Albina
Sweeter Than Roses
Dear Pretty Youth
When First Amintas Sued For A Kiss
The Cares Of Lovers
Ye Gentle Spirits Of Air
Overture
Shake The Cloud From Off Your Brow
Ah! Belinda. I Am Prest With Torment
When Monarchs Unite
Whence Could So Much Virtue Spring?
Fear No Danger
See, See, Your Royal Guest Appears
Cupid Only Throws The Dart
If Not For Mine
Pursue Thy Conquest, Love
A Dance Gittars Chacony
To The Hills And The Vales
The Triumphing Dance
Prelude For The Witches / Wayward Sisters
Harm's Our Delight
The Queen Of Carthage, Whom We Hate
In Our Deep Vaulted Cell
Echo Dance Of The Furies
Ritornelle / Thanks To These Lonesome Vales
Glitter Ground - A Dance
Oft She Visits / Ritornelle
Behold Upon My Bending Spear
Haste, Haste To Town
Stay, Prince, Stay
Ritornelle
Prelude / Come Away, Fellow Sailors
The Sailors' Dance
See The Flags And Streamers Curling
Destruction's Our Delight
The Witches' Dance
Your Councel All Is Urg'd In Vain
Great Minds Against Themselves Conspire
Thy Hand Belinda / When I Am Laid In Earth
With Drooping Wings [Dido's Lament]
First Music: 1. Air - Hornpipe
Second Music: 2. Air - Hornpipe
Overture
Trumpet Tune
Wake, Quivera, Wake (Indian Boy)
Why Should Men Quarrel? (Indian Girl (Quivera))
By Ancient Prophecies (Indian Boy, Indian Girl)
Trumpet Tune
Symphony
I Come To Sing Great Zempoalla's Story (Fame And Chorus)
What Flatt'ring Noise Is This (Envy And Two Followers)
Scorn'd Envy, Here's Nothing (Fame, Envy And Two Followers)
Trumpet Tune
We Come To Sing Great Zempoalla's Story (Chorus)
Dance
Second Act Tune (Trumpet Tune Reprise)
Dance
Ye Twice Ten Hundred Deities - By The Croaking Of The Toad (Ismeron)
Symphony, Seek Not To Know What Must Not Be Reveal'd (God Of Dreams)
Trumpet Overture
Ah! Ah! How Happy Are We! (God Of Dreams)
We The Spirits Of The Air (Four Aerial Spirits)
I Attempt From Love's Sickness To Fly In Vain (Zempoalla, Four Aerial Spirits)
Third Act Tune: Rondeau
They Tell Us That Mighty Powers Above (Orazia)
Fourth Act Tune: Air
Whilst Thus We Bow (Chorus)
You Who At The Altar Stand - All Dismal Sounds (High Priest, Chorus)
Symphony
To Bless The Genial Bed - Come, All, Come At My Call (Hymen, A Follower Of Hymen)
I Am Glad I Have Met Him (Two Married People)
The Joys Of Wedlock Soon Are Past - Sound, Sound The Trumpet (Cupid, A Follower Of Cupid)
Make Haste, Make Haste To Put On Love's Chains (Two Followers Of Cupid)
Trumpet Air - Let Loud Renown With All Her Thousand Tongues (Chorus)
Abdelazer Or The Moor's Revenge Z570
Overture
Rondeau - Air - Air - Minuet
Air - Jig - Hornpipe - Air
Song: Lucinda Is Bewitching Fair
Distressed Innocence Or The Princess Of Persia Z577
Overture
Air - Slow Air - Air - Hornpipe Or Jig
Rondeau - Air - Minuet
The Married Beau Or The Curious Impenitent Z603
Overture
Slow Air - Hornpipe
Air - Hornpipe - Jig
Trumpet Air - March - Hornpipe On A Ground
Song: See! Where Repenting Celia Lyes
The Gordian Knot Unty'd Z597
Overture
Air - Rondeau Minuet - Air - Jig
Chaconne - Air - Minuet
Sir Anthony Love Or The Rambling Lady Z588
Overture
Pursuing Beauty
No More, Sir, No More
In Vain Clemene
Ground
Bonduca Or The British Heroine Z574
Overture
Air - Hornpipe - Air
Hornpipe - Air - Minuet
Jack, Thou'rt A Roper
Hear Us Great Rugwith
Hear, Ye Gods Of Britain
Sing, Sing, Ye Druids!
Divine Andate, President Of War
To Arms
Britons Strike Home!
O Lead Me To Some Peaceful Gloom
Circe Z575
We Must Assemble A Sacrifice
Their Necessary Aid You Use
Come Every Demon
Lovers, Who To Their First Embraces Go
Magicians' Dance ... Pluto, Arise!
The Virtuous Wife Or Good Luck At Last Z611
Overture
Song Tune - Slow Air - Air
Preludio - Hornpipe - Minuet - Minuet (1st Act Tune)
The Old Bachelor Z607
Overture
Hornpipe
Thus To A Ripe, Consenting Maid
Slow Air - Hornpipe
As Amoret And Thyrsis Lay
Rondeau - Minuet - Boree - March - Jig
Overture In G Minor Z770
Don Quixote Z578
Sing All Ye Muses
When The World First Knew Creation
Let The Dreadful Engines Of Eternal Will
With This Sacred Charming Wand
Since Times Are So Bad
Genius Of England
Lads And Lasses, Blithe And Gay
From Rosie Bow'rs
Amphitryon Or The Two Sosias Z572
Overture
Saraband
Celia, That I Once Was Blest
Hornpipe - Scotch Tune
For Iris I Sigh
Air - Minuet - Hornpipe
Fair Iris And Her Swain
Bourrée
The Double Dealer Z592
Overture
Hornpipe - Minuet - Air - Hornpipe
Cynthia Frowns
Minuet - Minuet - Air - Air
The Richmond Heiress Or A Woman Once In The Right Z608
Behold The Man
The Rival Sisters Or The Violence Of Love Z609
Overture
Celia Has A Thousand Charms
Take Not A Woman's Anger Ill
How Happy, How Happy Is She
Henry The Second, King Of England Z580
In Vain, 'Gainst Love, In Vain I Strove
Tyrannic Love Or The Royal Martyr Z613
Hark! My Damilcar!
Ah! How Sweet It Is To Love
Overture In G Minor Z772
Theodosius Or The Force Of Love Z606
Prepare, Prepare, The Rites Begin
Can'st Thou, Marina
The Gate To Bliss
Hark! Hark! Behold The Heav'nly Choir
Now The Fight's Done
Sad As Death At Dead Of Night
Dream No More Of Pleasures Past
Hail To The Myrtle Shade
Ah Cruel, Bloody Fate
The Libertine Or The Libertine Destroyed Z600
Nymphs And Shepherds
We Come
Prelude
Prepare, Prepare, New Guests Draw Near
To Arms, Heroic Prince
The Massacre Of Paris Z604
Thy Genius, Lo (2 Settings)
Oedipus Z583
Hear, Ye Sullen Powers Below
Music For A While
Come Away, Do Not Stay ... Laius! Hear, Hear
Overture In D Minor Z771
The History Of King Richard The Second (The Sicilian Usurper) Z581
Retir'd From Any Mortal's Sight
Sir Barnaby Whigg Or No Wit Like A Woman's Z589
Blow, Blow, Boreas, Blow
Sophonisba Or Hannibal's Overthrow Z590
Beneath The Poplar's Shadow
The English Lawyer Z594
My Wife Has A Tongue
A Fool's Preferment Or The Three Dukes Of Dunstable Z571
I Sigh'd, And I Pin'd ... There's Nothing So Fatal As Woman
Fled Is My Love ... 'Tis Death Alone ... I'll Mount To Yon Blue Coelum
I'll Sail Upon The Dog-Star
Jenny, 'Gin You Can Love
If Thou Wilt Give Me Back My Love
The Indian Emperor Or The Conquest Of Mexico Z598
I Look'd And Saw Within
The Knight Of Malta Z599
At The Close Of The Ev'ning
A Dialogue Between Thirsis And Daphne Z525
Why, My Daphne, Why Complaining
The Wives' Excuse Or Cuckolds Make Themselves Z612 (1691, Thomas Southerne)
Ingrateful Love!
Hang This Whining Way Of Wooing
Say, Cruel Amoret ... Corinna, I Excuse Thy Face
Cleomenes, The Spartan Hero Z576
No, No, Poor Suff'ring Heart
The Marriage-Hater Match'd Z602
As Soon As The Chaos ... How Vile Are The Sordid Intregues
Love Triumphant Or Nature Will Prevail Z582
How Happy's The Husband
Love Triumphant Or Nature Will Prevail Z582
How Happy's The Husband
There's Not A Swain Z587
The Female Virtuosos Z596
Love, Thou Art Best
Leave These Useless Arts Z579
The Maid's Last Prayer Or Any Rather Than Fail Z601
Though You Make No Return
No, Resistance Is But Vain
Tell Me No More
Aureng-Zebe Or The Great Mogul Z573
I See, She Flies Me
The Canterbury Guests Or A Bargain Broken Z591
Good Neighbour Why?
The Fatal Marriage Or The Innocent Adultery Z595
The Danger Is Over
I Sigh'd And Owned My Love
The Spanish Fair Or The Double Discovery Z610
Whilst I Get Grief
Pausianias, The Betrayer Of His Country Z585
Sweeter Than Roses
My Dearest, My Fairest
The Mock Marriage Z605
Oh! How You Protest ... 'Twas Within A Furlong ... Man Is For The Woman Made
Oroonoko Z584
Celemene, Pray Tell Me
Pavan No. 1 In A Major Z748
Pavan No. 2 In A Minor Z749
Pavan No. 3 In B Flat Major Z750
Pavan No. 4 In G Minor Z751
Pavan No. 4 In G Minor Z751
Pavan No. 5 In G Minor Z752
Trio Sonata For Violin, Bass Viol And Organ Z780
Sonata No. 1 In G Minor: Sonnata - Vivace - Adagio - Presto - Largo
Sonata No. 2 In B Flat Major: Sonnata - Largo - Presto - Adagio - Vivace - Allegro
Sonata No. 3 In D Minor: Sonnata - Adagio - Canzona - Adagio - Poco Largo - Allegro
Sonata No. 4 In F Major: Sonnata - Canzona - Adagio - Poco Largo - Allegro
Sonata No. 5 In A Minor: Sonnata - Adagio - Largo - Grave - Canzona - Adagio
Sonata No. 6 In C Major: Sonnata - Canzona - Adagio - Largo - Allegro
Sonata No. 7 In E Minor: Sonnata - Canzona - Largo - Grave - Canzona - Adagio
Sonata No. 8 In G Major: Sonnata - Poco Largo - Allegro - Grace - Vivace
Sonata No. 9 In C Minor: Sonnata - Largo - Canzona - Adagio - Allegro
Sonata No. 10 In A Major: Sonnata - Largo - Grave - Presto
Sonata No. 11 In F Minor: Sonnata - Canzona - Adagio - Lento
Sonata No. 12 In D Major: Sonnata - Adagio - Canzona - Poco Largo - Grave - Presto - Allegro - Adagio
Sonata No. 1 In B Minor: Adagio - Canzona (Allegro) - Largo - Vivace - Grave
Sonata No. 2 In E Flat Major: Adagio - Canzona (Allegro) - Adagio - Largo - Allegro
Sonata No. 3 In A Minor: Grave - Largo - Adagio - Canzona - Gigue - Grave
Sonata No. 4 In D Minor: Adagio - Canzona - Adagio - Vivace - Largo
Sonata No. 5 In G Minor: (Adagio) - Canzona - Largo - Adagio - Presto - Allegro - Adagio
Sonata No. 6 In G Minor: Adagio
Sonata No. 7 In C Major: Vivace - Largo - Grave - Canzona - Allegro - Adagio
Sonata No. 8 In G Minor: Adagio - Canzona - Grave - Largo - Vivace
Sonata No. 9 In F Major: (Allegro) - Adagio - Canzona (Allegro) - Grave - Allegro
Sonata No. 10 In D Major: Adagio - Canzona (Allegro) - Grave - Allegro
Overture No. 3 In G Major
Overture No. 1 In E Minor
Overture No. 2 In A Major
Overture No. 4 In F Major
Overture No. 5 In D Major
Overture No. 6 In B Flat Major
Overture No. 7 In D Major
Overture No. 8 In G Minor
Sonata No. 1 In F Major
1. Andante
2. Adagio
3. Allegro
Sonata No. 2 In E Minor
1. Andante
2. Adagio
3. Allegrissimo
Sonata No. 5 In B Flat Major
1. Poco largo
2. Presto (Gavotta)
Sonata No. 6 In G Minor
1. Affetuoso
2. Presto
Sonata No. 3 In G Minor
1. Prelude
2. Allegro
3. Minuet (and Two Variations)
Sonata No. 4 In D Minor
1. Andante
2. Largo (Siciliano)
3. Fuga (Allegro)
4. Allegro (Jigg)
Sonata No. 7 In A Major
1. Presto
2. Andante
3. Allegro
Sonata No. 8 in G major
1. Minuet (and Four Variations)
Symphony No. 1 In B Flat Major
1. Allegro
2. Moderato E Dolce
3. Allegro
Symphony No. 2 In A Major
1. Allegro Assai
2. Vivace
3. Presto Allegro
Symphony No. 3 In C Major
1. Allegro
2. Vivace
3. Tempo Di Minuetto
Symphony No. 4 In F Major
1. Allegro
2. Vivace Ma Non Troppo
3. Gavot (Allegro)
Symphony No. 5 In D Major
1. Allegro Ma Non Troppo - Allegro Assai
2. Tempo Di Gavotta
3. Tempo Di Minuetto
Symphony No. 6 In F Major
1. Largo - Allegro
2. Larghetto
Symphony No. 7 In B Flat Major
1. Andante - Spirituoso
2. Moderato
3. Jigg (Allegro Assai)
Symphony No. 8 In D Minor
1. Pomposo - Allegro
2. Largo Andante
3. Tempo Di Gavotta
My Lady Nevells Grownde
Qui Passe: For My Ladye Nevell
The Marche Before The Battell
The Battell
The Galliarde For The Victorie
The Barleye Breake
A Galliards Gygge
The Huntes Upp
Ut Re Mi Fa Sol La
The Firste Pavian
The Galliard To The Firste Pavian
The Seconde Pavian
The Galliarde To The Seconde Pavian
The Third Pavian
The Galliarde To The Third Pavian
The Fourth Pavian
The Galliarde To The Fourth Pavian
The Fifte Pavian
The Galliarde To The Fifte Pavian
Pavana The Sixte: Kinburgh Goodd
The Galliard To The Sixte Pavian
The Seventh Pavian
The Eighte Pavian
The Passinge Mesures: The Nynthe Pavian
The Galliarde To The Nynthe Pavian
A Voluntarie: For My Ladye Nevell
Will Yow Walke The Woods Soe Wylde
The Maidens Songe
A Lesson Of Voluntarie
The Second Grownde
Have With Yow To Walsinghame
All In A Garden Grine
Lord Willobies Welcome Home
The Carmans Whistle
Hugh Ashtons Grownde
A Fancie
Sellingers Rownde
Munsers Almaine
The Tennthe Pavian: Mr W Peter
The Galliarde To The Tenth Pavian
A Fancie
A Voluntarie
Fantasia
The Flatt Pavan/Can Shee
Alman/The Irishe Dumpe/Watkins Ale/A Gigg
The Leaves Bee Greene
Amarilli di Julio Romano
Galiarda Passamezzo
Alman/The Primerose/The Fall Of The Leafe
Tower Hill/A Masque/A Toye
Pavana
Galliardo
Robin
Nowel's Galliard
Giles Farnaby's Dreame/His Rest/Farnabye's Conceit/His Humour
Jhon Come Kisse Me Now
The Queenes Alman
In Nomine
Fantasia
Pavana "Pagget" And Galliarda
Pavana Delight/Galiarda
La Volta/Alman/Wolseys Wilde/Callino Casturame/La Volta
Pavan "Clement Cotton"
Loth To Depart

notes

This product ℗ and © 2015 Universal Musical Italia srl.

Disc 1
Recording location: St. John's, Smith Square, London, August, 1994.
℗ 1995 Universal International Music BV

Disc 2
Recording location: Forde Abbey, Somerset. October, 1982.
℗ 1983 Decca Music Group Limited

Disc 3
Recording location: Recording Location: Walthamstow Assembly Hall, London, September, 1992
℗ 1994 Decca Music Group Limited
Publisher: Oxford University Press

Disc 4
Edited by Margaret Laurie & Andrew Pinnock for the Purcell Society.
Recording Location: Walthamstow Assembly Hall, London, July 1994
℗ 1995 Decca Music Group Limited

Discs 5 to 10
A collection of the complete incidental music by Henry Purcell.
Recording locations: All Saints, Petersham; St George the Martyr, Holborn; Kingsway Hall, London, March 1974-November 1983
℗ 1976, 1977, 1980, 1981, 1982, 1985 Decca Music Group Limited

Disc 11
Recording location: Emmanuel College, Cambridge, February/August 1994
℗ 1995 Decca Music Group Limited

Disc 12
Recording location: Christ Church, Flood Street, London, May, 1979
℗ 1982 Decca Music Group Limited

Disc 13
Recording location: All Saints' Church, Petersham, Surrey, 17-19 Sept 1973
℗ 1974 Decca Music Group Limited

Disc 14
Recording location: Finchcocks, Goudhurst, Kent, 17-19 April 1973
℗ 1974 Decca Music Group Limited

Disc 15
Recording location: Walthamstow Assembly Hall, London, 13-15 April 1992.
℗ 1993 Decca Music Group Limited

Discs 16, 17 and 18
Recording Location: The Adlam-Burnett collection of historical keyboard instruments, Finchcocks, Goudhurst, Kent, 1974-1975
℗ 1976 Decca Music Group Limited

Discs 19 and 20
Recording Locations: Knole House, Kent, 28 April 1981 Ham House, Surrey, 7-9 May 1981 Fitzwilliam Museum, Cambridge, 11 May 1981
℗ 1981 Decca Music Group Limited

Tracks 1-1 to 1-23 originally released as Philips 446 081-2, 1995.
Track 1-24 originally released on Sylvia McNair: A Portrait, Philips 454 047-2, 1996. (Not on Discogs, 7/2019)
Tracks 2-1 to 2-16 originally released as L'Oiseau-Lyre DSDL 713, 1983.
Tracks 3-1 to 3-34 originally released as L'Oiseau-Lyre DSDL 713, 1983.
Tracks 4-1 to 4-34 originally released as L'Oiseau-Lyre 444 3392, 1995.
Tracks 5-1 to 5-15 originally released as L'Oiseau-Lyre DSLO 504, 1976.
Tracks 5-6 to 5-20 and 6-1 to 6-16 originally released as L'Oiseau-Lyre DSLO 527, 1977.
Tracks 6-17 to 6-25 and 7-10 to 7-17 originally released as L'Oiseau-Lyre DSLO 550, 1980.
Tracks 7-1 to 7-9 originally released as L'Oiseau-Lyre DSLO 534, 1978.
Tracks 8-1 to 8-12 originally released as L'Oiseau-Lyre DSLO 561, 1981.
Tracks 8-13 to 8-22 and 9-1 to 9-9 originally released as L'Oiseau-Lyre DSLO 590, 1982.
Tracks 9-10 to 9-28 originally released as L'Oiseau-Lyre 414 173-1, 1985.
Tracks 10-1 to 10-16 originally released as L'Oiseau-Lyre 414 174-1, 1985.
Tracks 10-17 to 10-23 originally released as L'Oiseau-Lyre SPA 544, 1979.
Tracks 5-1 to 10-23 also released as a compilation in box set Decca 475 529-2, 2004.
Tracks 11-1 to 11-12 originally released as L'Oiseau-Lyre 444 449-2, 1995.
Tracks 12-1 to 12-10 originally released as L'Oiseau-Lyre DSLO 601, 1982.
Tracks 13-1 to 13-8 originally released as L'Oiseau-Lyre DSLO 503, 1974.
Tracks 14-1 to 14-12 originally released as L'Oiseau-Lyre DSLO 502, 1974.
Tracks 15-1 to 15-23 originally released as L'Oiseau-Lyre 436 7612, 1993.
Tracks 16-1 to 18-12 originally released as box set L'Oiseau-Lyre D29D 4, 1976.
Tracks 19-1 to 20-9 originally released as L'Oiseau-Lyre D261D2, 1981.

credits


Alto Vocals – David Lowe (2) (tracks: 3-1 to 3-34), James Oxley (tracks: 3-1 to 3-34), Paul Tindall (tracks: 3-1 to 3-34)
Baritone Vocals – Gerald Finley (tracks: 4-1 to 4-34)
Bass Vocals – Christopher Keyte (tracks: 5-18, 6-5, 6-6, 6-9, 6-12, 6-13, 6-16, 6-24, 7-16), David Thomas (9) (tracks: 3-1 to 4-34, 7-2 to 7-6, 8-5, 8-11, 8-14, 4,15, 8-17, 8-19, 9-2, 9-4, 9-6, 9-7, 9-9, 9-12, 9-21, 9-22, 9-28, 10-4, 10-9), Geoffrey Shaw (tracks: 9-21), Michael George (3) (tracks: 9-21), Philip Lawson (tracks: 3-1 to 3-34), Simon Birchall (tracks: 3-1 to 3-34), Stephen Alder (tracks: 3-1 to 3-34), Thomas Guthrie (tracks: 3-1 to 3-34)
Cello, Viola da Gamba – Laurence Dreyfus (tracks: 1-1 to 1-24)
Choir – The Taverner Choir, (tracks: 6-5, 6-7, 6-10, 6-12 to 6-15), The Academy Of Ancient Music Chorus (tracks: 3-1 to 3-34)
Chorus Master [Chorus Director] – Andrew Parrott (tracks: 6-5, 6-7, 6-10, 6-12 to 6-15)
Composed By – Daniel Purcell (tracks: 1 to 14, 16 to 28), Henry Purcell (tracks: 1-1 to 4-14, 4-16 to 4-28, 5-1 to 12-10), Thomas Augustine Arne, (tracks: 13-1 to 14-21), William Boyce (tracks: 15-1 to 15-23), William Byrd (tracks: 16-1 to 18-12)
Conductor – Christopher Hogwood
Countertenor Vocals – James Bowman (2) (tracks: 6-5, 6-9, 6-13, 6-15, 7-2, 8-14, 8-15, 8-17, 8-20, 8-21, 9-2, 9-4, 9-7 to 9-9), Michael Chance (tracks: 3-1 to 3-34), Tommy Williams (11) (tracks: 4-1 to 4-34)
Edited By [Recording Editor] – Ian Watson (3) (tracks: 11-1 to 11-12)
Engineer – Iain Churches (tracks: 16-1 to 18-12), John Pellowe (tracks: 2-1 to 2-16. 5-1 to 10-23, 12-1 to 12-10), Jonathan Stokes (tracks: 3-1 to 3-34, 11-1 to 11-6, 15-1 to 15-23), Stanley Goodall (tracks: 3-1 to 3-34)
Engineer [Balance Engineer] – Tryggvi Tryggvason (tracks: 14-1 to 14-21)
Engineer [Recording Editor] – Timothy Bull (tracks: 4-1 to 4-34)
Engineer [Recording Engineer] – Andrew Groves (tracks: 11-1 to 11-6), Andy Groves, (tracks: 4-1 to 4-34), Everett Porter (tracks: 1-1 to 1-24), John Dunkerley (tracks: 4-1 to 10-23, 16-1 to 18-12), Michael Mailes (tracks: 11-7 to 11-12), Philip Wade (tracks: 5-1 to 10-23, 16-1 to 20-9), Willem Van Leeuwen (tracks: 1-1 to 1-24)
Engineer [Sound Engineer] – Colin Moorfoot (tracks: 13-1 to 14-21)
Engineer [Tape Editor] – Jean Van Vugt (tracks: 1-1 to 1-24), Timothy Bull (tracks: 15-1 to 15-23)
Executive-Producer – Raymond Ware (tracks: 13-1 to 13-8)
Guitar – David Miller (7) (tracks: 3-1 to 3-34), Tom Finucane (tracks: 3-1 to 3-34)
Harpsichord – Alastair Ross (tracks: 3-1 to 3-34), Christopher Hogwood (tracks: 1-1 to 1-24, 13-1 to 14-21, 16-1 to 20-9), James Johnstone (3) (tracks: 1-1 to 1-24), Nicholas Parle (tracks: 3-1 to 3-34)
Libretto By – Nahum Tate (tracks: 3-1 to 3-34)
Liner Notes – Massimo Rolando Zegna
Liner Notes [English Translation] – Kenneth Chalmers
Lute – Anthony Rooley
Lute [Archlute] – Paul O'Dette (tracks: 1-1 to 1-24), Tom Finucane (tracks: 3-1 to 3-34)
Orchestra – The Academy Of Ancient Music
Organ – Christopher Hogwood (tracks: 1-1 to 2-16, 19-1 to 20-9)
Organ [Chamber Organ] – Christopher Hogwood (tracks: 11-1 to 12-10, 16-1 to 18-12)
Producer – Morten Winding (tracks: 12-1 to 12-10)
Producer [Recording Producer] – Chris Sayers (tracks: 3-1 to 4-34, 11-1 to 11-12, 15-1 to 15-23), Peter Wadland (tracks: 2-1 to 2-16, 5-1 to 10-23, 13-1 to 13-8, 16-1 to 20-9)
Producer [Recording Producer], Engineer [Balancer Engineer] – Wilhelm Hellweg (tracks: 1-1 to 1-24)
Soprano Vocals – Catherine Bott (tracks: 3-1 to 4-34), Deborah Roberts (tracks: 3-1 to 3-34), Elisabeth Priday (tracks: 3-1 to 3-34), Elizabeth Lane (tracks: 6-5, 6-7, 6-15), Emma Kirkby (tracks: 2-1 to 2-16, 3-1 to 4-34, 7-5 to 7-9, 8-10, 8-16, 9-20, 9-22, 9-24, 9-26, 9-28, 10-3, 10-4, 10-6, 10-9, 10-10, 10-11, 10-16), Frances Cooke (tracks: 3-1 to 3-34), Ghislaine Morgan (tracks: 3-1 to 3-34), Helen Parker (tracks: 4-1 to 4-34), Joy Roberts (tracks: 5-4, 5-12), Judith Nelson (tracks: 5-17 to 5-19, 6-11, 6-24, 7-5, 7-14, 7-16, 8-3, 8-5, 8-7, 8-9, 8-11, 8-12, 8-16 to 8-22, 9-1, 9-2, 9-4 to 9-6, 9-11, 9-13, 9-18, 9-27, 10-1, 10-3, 10-5, 10-6, 10-8, 10-9, 10-12 to 10-16), Julianne Baird (tracks: 3-1 to 3-34), Libby Crabtree (tracks: 4-1 to 4-34), Prudence Lloyd (tracks: 6-7), Ruth Dean (tracks: 3-1 to 3-34), Sara Stowe (tracks: 3-1 to 3-34), Sylvia McNair (tracks: 1-1 to 1-24)
Spinet – Christopher Hogwood (tracks: 2-1 to 2-16, 12-1 to 12-10, 19-1 to 20-9)
Tenor Vocals – Alan Byers (tracks: 6-4, 9-14), John Mark Ainsley (tracks: 3-1 to 4-34), Julian Pike (tracks: 10-9), Julian Podger (tracks: 4-1 to 4-34), Martyn Hill (tracks: 6-5, 6-8, 6-10, 6-13, 6-14, 6-22, 7-7, 7-12, 8-8, 8-14, 8-15, 8-17, 9-2, 9-4, 9-7, 9-9), Paul Elliott (tracks: 6-4, 9-14), Peter Bamber (tracks: 6-4, 9-14), Rogers Covey-Crump (tracks: 9-12, 9-15 to 9-19, 9-23, 9-25, 9-28, 10-2, 10-7, 10-12, 10-14), Simon Berridge (tracks: 4-1 to 4-34)
Theorbo – David Miller (7) (tracks: 3-1 to 3-34)
Trumpet – Crispian Steele-Perkins (tracks: 1-1 to 1-24)
Viol – Richard Campbell (tracks: 2-1 to 2-16)
Viol [Bass Viol] – Christophe Coin (tracks: 11-1 to 12-10), Mark Caudle (tracks: 3-1 to 3-34)
Viola – Colin Kitching (tracks: 3-1 to 3-34), Jane Rogers (2) (tracks: 1-1 to 1-24), Leon King (2) (tracks: 1-1 to 1-24), Lisa Cochrane (tracks: 3-1 to 3-34), Martin Kelly (3) (tracks: 3-1 to 3-34), Nicky Akeroyd, (tracks: 1-1 to 1-24), Nicola Akeroyd (tracks: 3-1 to 3-34), Peter Colyer, (tracks: 3-1 to 3-34), Trevor Jones (4) (tracks: 1-1 to 1-24)
Violin – Catherine Mackintosh (tracks: 2-1 to 2-16, 12-1 to 12-10), Monica Huggett (tracks: 12-1 to 12-10), Pavlo Beznosiuk (tracks: 11-1 to 11-12), Rachel Podger (tracks: 11-1 to 11-12)
Violin [1] – Brian Smith (12) (tracks: 1-1 to 1-24, 3-1 to 3-34), Clare Salaman (tracks: 1-1 to 1-24), Desmond Heath (tracks: 3-1 to 3-34), Ellen O'Dell (tracks: 1-1 to 1-24), Emilia Benjamin (tracks: 3-1 to 3-34), Helen Orsler (tracks: 3-1 to 3-34), Iona Davies (tracks: 3-1 to 3-34), Pauline Nobes (tracks: 3-1 to 3-34), Pierre Joubert (tracks: 1-1 to 1-24), Simon Standage (tracks: 1-1 to 1-24, 3-1 to 3-34), Susie Carpenter Jacobs, (tracks: 1-1 to 1-24)
Violin [2] – Ann Monnington (tracks: 1-1 to 1-24, 3-1 to 3-34), Fiona Duncan (tracks: 3-1 to 3-34), Garry Clarke (2) (tracks: 1-1 to 1-24, 3-1 to 3-34), Gary Clarke, (tracks: 3-1 to 3-34), Jo Parker, (tracks: 1-1 to 1-24), Jonathan Kahan (tracks: 3-1 to 3-34), Marie Knight (2) (tracks: 1-1 to 1-24, 3-1 to 3-34), Simon Jones (10) (tracks: 1-1 to 1-24, 3-1 to 3-34), William Thorp (tracks: 3-1 to 3-34)
Violin [Bass Violin] – Angela East (tracks: 3-1 to 3-34), Helen Gouch, (tracks: 1-1 to 1-24), Jennifer Ward Clarke (tracks: 3-1 to 3-34), Katherine Sharman (tracks: 1-1 to 1-24, 3-1 to 3-34), Marilyn Sansom (tracks: 1-1 to 1-24), Richard Campbell (tracks: 1-1 to 1-24, 3-1 to 3-34), Sue Sheppard, (tracks: 1-1 to 1-24), Susan Sheppard (tracks: 3-1 to 3-34)
Virginal – Christopher Hogwood (tracks: 16-1 to 20-9)
Vocals – Daniel Lochmann

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Phonographic Copyright (p) – Universal Music Italia
Phonographic Copyright (p) – Decca Music Group Limited
Copyright (c) – Universal Music Italia
Made By – Sony DADC
Published By – Oxford University Press
Recorded At – St. John's, Smith Square
Recorded At – Forde Abbey
Recorded At – All Saints Church Petersham
Recorded At – Church Of St. George The Martyr, Queen Square, London
Recorded At – Kingsway Hall
Recorded At – Walthamstow Assembly Hall
Recorded At – All Saints Church Petersham
Recorded At – Wren Chapel, Emmanuel College, Cambridge
Recorded At – Knole House
Recorded At – Ham House
Recorded At – Fitzwilliam Museum
Recorded At – Christ Church, Flood Street, London
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