tracks

Waltz In F Minor, Op.1 (1885)
3 Piéces, Op.2 (1886-89)
I Étude: Andante (C Sharp Minor)
II Prelude (B Major)
III Impromptu À La Mazur (C Major)
10 Mazurkas, Op.3 (1889)
I Tempo Giusto (B Minor)
II Allegretto Non Tanto (F Sharp Major)
III Allegretto (G Minor)
IV (Moderato) (E Major)
V (Doloroso) (D Sharp Minor)
VI Scherzando (C Sharp Minor)
VII Con Passione (E Minor)
VIII (Con Moto) (B Flat Minor)
IX (G Sharp Minor)
X Sotto Voce (E Flat Minor)
Allegro Appassionato, Op.4 (1892)
2 Nocturnes, Op.5
No.1 (F Sharp Minor)
No.2 (A Major)
Piano Sonata No.1 In F Minor, Op.6 (1892)
I Allegro Con Fuoco
II ♩ = 40 (Adagio)
III Presto
IV Funèbre
2 Impromptus À La Mazur, Op.7 (1892)
I (G Sharp Minor)
II (F Sharp Major)
12 Études, Op.8 (1894)
I Allegro (C Sharp Minor)
II A Capriccio Con Forza (F Sharp Minor)
III Tempestoso (B Minor)
IV Piacevole (B Major)
V Brioso (E Major)
VI Con Grazia (A Major)
VII Presto Tenebroso, Agitato (B Flat Minor)
VIII Lento (A Flat Major)
IX Alla Ballata (C Sharp Minor)
X Allegro (D Flat Major)
IX Andante (B Flat Minor)
XII Patetico (D Sharp Minor)
XII Alternative Version, WoO 22
Prélude Et Nocturne Pour La Main Gauche, Op.9 (1894)
I Prèlude (C Sharp Minor)
II Nocturne (D Flat Major)
2 Impromptus, Op.10 (1894)
I ♩ = 100 (F Sharp Minor)
II ♩ = 160 (A Major)
24 Préludes, Op.11 (1888-96)
I Vivace (C Major)
II Allegretto (A Minor)
III Vivo (G Major)
IV Lento (E Minor)
V Andante Cantabile (D Major)
VI Allegro (B Minor)
VII Allegro Assai (A Major)
VIII Allegro Agitato (F Sharp Minor)
IX Andantino (E Major)
X Andante (C Sharp Minor)
XI Allegro Assai (B Major)
XII Andante (G Flat Minor)
XIII Lento (G Flat Major)
XIV Presto (E Flat Minor)
XV Lento (D Flat Major)
XVI Misterioso (B Flat Minor)
XVII Allegretto (A Flat Major)
XVIII Allegro Agitato (F Minor)
XIX Affettuoso (E Flat Major)
XX Appassionato (C Minor)
XXI Andante (B Flat Major)
XXII Lento (G Minor)
XXIII Vivo (F Major)
XXIV Presto (D Minor)
2 Impromptus, Op.12 (1895)
I Pesto (F Sharp Major)
II Andante Cantabile (B Flat Minor)
6 Préludes, Op.13 (1895)
I Maestoso (C Major)
II Allegro (A Minor)
III Andante (G Major)
IV Allegro (E Minor)
V Allegro (D Major)
VI Presto (B Minor)
2 Impromptus, Op.14 (1895)
I Allegretto (B Major)
II Andante Cantabile (F Sharp Minor)
5 Préludes, Op.15 (1895-96)
I Andante (A Major)
II Vivo (F Sharp Minor)
III Allegro Assai (E Major)
IV Andantino (E Major)
V Andante (C Sharp Minor)
5 Préludes, Op.16 (1894-95)
I Andante (B Major)
II Allegro (G Sharp Minor)
III Andante Cantabile (G Flat Major)
IV Lento (E Flat Minor)
V Allegretto (F Sharp Major)
7 Préludes, Op.17 (1895-96)
I Allegretto (D Minor)
II Presto (E Flat Major)
III Andante (D Flat Major)
IV Lento (B Flat Minor)
V Prestissimo (F Minor)
VI Andante Doloroso (B Flat Major)
VII Allegro Assai (G Minor)
Allegro De Concert In B Flat Minor, Op.18 (1896)
Piano Sonata No.2 In G Sharp Minor, Op.19 "Sonate-Fantasie" (1892-97)
I Andante
II Presto
Polonaise, Op.21 (1897): Allegro Maestoso (B Flat Minor)
4 Préludes, Op.22 (1897)
I Andante (G Sharp Minor)
II Andante (C Sharp Minor)
III Allegretto (B Major)
IV Andantino (B Minor)
Piano Sonata No.3 in F Sharp Minor, Op.23 (1897)
I Drammatico
II Allegretto
III Andante -
IV Presto Con Fuoco
9 Mazurkas, Op.25 (1898-99)
I Allegro (F Minor)
II Allegretto (C Major)
III Lento (E Minor)
IV Vivo (E Major)
V Agitato (C Sharp Minor)
VI Allegretto (F Sharp Major)
VII Moderato (F Sharp Minor)
VIII Allegretto (B Major)
IX Mesto (E Flat Minor)
2 Préludes, Op.27 (1900)
I Patetico (G Minor)
II Andante (B Major)
Fantasie In B Minor, Op.28 (1900): Moderato - Più Vivo - Tempo I - Più Vivo - Tempo I
Piano Sonata No.4 In F Sharp Major, Op.30 (1903)
I Andante -
II Prestissimo Volando
4 Préludes, Op.31 (1903)
I Andante (D Flat/C Major)
II Con Stravaganza (F Sharp Minor)
III Presto (E Flat Minor)
IV Lento (A Flat Major)
2 Poèmes, Op.32 (1903)
I Andante Cantabile (F Sharp Minor)
II Allegro. Con Eleganza. Con Fiducia (D Major)
4 Préludes, Op.33 (1903)
I ♩ = 96 (E Major)
II Vagamente (F Sharp Minor)
III ♩ = 88 (C Major)
IV Ardito, Bellicoso (A Flat Major)
Poème Tragique, Op.34 (1903): Festivamente. Fastoso - Irato, Fiero - Tempo I (B Flat Major)
3 Préludes, Op.35 (1903)
I Allegro (D Flat Major)
II Elevato (B Flat Major)
III Scherzoso (C Major)
Poème Satanique, Op.36 (1903): Allegro (C Major)
4 Préludes, Op.37 (1903)
I Mesto (B Flat Minor)
II Maestoso, Fiero (F Sharp Major)
III Andante (B Major)
IV Irato Impetuoso (G Minor)
Valse, Op.38 (1903): Allegro, Agevole (A Flat Major)
4 Préludes, Op.39 (1903)
I Allegro (F Sharp Major)
II Elevato (D Major)
III Languido (G Major)
IV ♩ = 63-66 (A Flat Major)
2 Mazurkas, Op.40 (1903)
I Allegro (D Flat Major)
II Piacevole (Sharp Major)
Poème, Op.41 (1903): ♩ = 96-104 (D Flat Major)
8 Études, Op.42 (1903)
I Presto (D Flat Major)
II ♩ = 112 (F Sharp Minor)
III Prestissimo (F Sharp Minor)
IV Andante (F Sharp Major)
V Affanato (C Sharp Minor)
VI Esaltato (D Flat Major)
VII Agitato (F Minor)
VIII Allegro (E Flat Major)
2 Poèmes, Op.44 (1904)
I Lento (C Major)
II Moderato (C Major)
3 Morceaux, Op.45 (1904)
I Feuillet D'Album (Andante Piacevole)
II Pòeme Fantasque (Presto)
III Prélude (Andante)
Scherzo, Op.46: Presto (1905): Presto (C Major)
Quasi-Valse, Op.47
4 Préludes, Op.48 (1905)
I Impetuoso Fiero
II Poetico Con Delizio
III Capricciosamente Affannato
IV Festivamente
3 Morceaux, Op.49
I Étude (♩ = 152)
II Prélude (Bruscamente Irato)
III Rêverie (Con Finezza)
4 Morceaux, Op.51 (1906)
I Fragilité (Allegretto)
II Prélude (Lugubre)
III Poème Ailé
IV Danse Languide
3 Morceuax, Op.52 (1907)
I Poème (Lento - Più Vivo - Tempo I)
II Énigme (Étrange, Capricieusement)
III Poème Languide (Pas Vite)
Piano Sonata No.5, Op.53 (1907): Allegro - Presto Con Allegrezza Meno Vivo - Prestissimo
4 Pièces, Op.56 (1908)
I Prélude (Violent, Très Accentué)
II Ironies (Vivo, Scherzoso)
III Nuances (Fondu, Velouté)
IV Étude (Presto)
2 Pièces, Op.57 (1908)
I Désir
II Caresse Dansée
Feuillet D'Aalbum, Op.58 (1910): Con Delicatezza
2 Pièces, Op.59 (1910)
I Poème (Allegretto. Avec Grace Et Douceur)
II Prélude (Sauvage, Belliqueux)
Poème-Nocturne, Op.61 (1911-12): Avec Une Grâce Capricieuse
Piano Sonata No.6, Op.62 (1911-12): Modéré
2 Poèmes, Op.63 (1911-12)
I Masque (Alegretto. Avec Une Douceur Cachée)
II Etrangeté (Gracieux, Délicat)
Piano Sonata No.7 ("White Mass"), Op.64 (1911-12)
3 Études, Op.65 (1911-12)
I Allegro Fantasico
II Allegretto
III Molto Vivace
Piano Sonata No.8, Op.66 (1912-13): Lento - Allegro Agitato - Molto Più Vivo - Allegro - Tragique - Meno Vivo - Tragique. Molto Più Vivo - Presto - Allegro - Meno Vivo - Molto Più Vivo. Agitato - Presto - Allegro (Tempo I)
2 Préludes, Op.67 (1912-13)
I Andante
II Presto
Piano Sonata No.9, ("Black Mass"), Op.68 (1912-13)
2 Poèmes, Op.69 (1912-13)
I Allegretto. Tendre Délicat
II Allegretto. Aigu, Capricieux
Piano Sonata No.10, Op.70 (1912-13): Moderato Quasi Andante - Molto Meno Vivo - Allegro - Più Vivo - Allegro Molto - Alla Marchia - Più Vivo - Allegro - Più Vivo - Presto - Tempo I
2 Poèmes, Op.71 (1914)
I Fantasique
II En Rêvant, Avec Une Grande Douceur
Vers La Flamme, Op.72 Poème (1914): Allegro Moderato
2 Danses, Op.73 (1914)
I Guirlandes (Avec Une Grâce Languissante)
II Flammes Sombres (Avec Une Grâce Dolente)
5 Préludes, Op.74 (1914)
I Douloureux, Déchirant
II Très Lent, Contemplatif
III Allegro Drammatico
IV Lent, Vague, Indécis
V Fier, Belliqueux
Canon In D Minor, WoO 1 (1883)
Romance In F Sharp Major For Voice And Piano, WoO 2 (1894)
Nocturne In A Flat Major, WoO 3 (1881-82)
Scherzo In E Flat Major, WoO 4
Scherzo In A Flat Major, WoO 5
Sonate-Fantaisie In G Sharp Minor, WoO 6 (1886)
Valse In G Sharp Minor, WoO 7 (1886)
Valse In D Flat Major, WoO 8 (1886)
Variations In F Minor On A Theme By Mlle Egoroff, WoO 9
Duett In D Minor, WoO 10
Fugue In F Minor, WoO 12
Fugue In F Minor, WoO 13
Mazurka In B Minor, WoO 14
Mazurka In B Minor, WoO 15 (?1889)
Mazurka In F Major, WoO 16 (?1889)
Feuillet D'Album De Monighetti In A Flat Major Major, WoO 17 (1889)
Fantasy In A Minor, WoO 18
Sonata in E Flat Minor, WoO 19 (1887-89)
I Allegro Appassionato -
II (Andantino)
III Presto
Fugue In E Minor, WoO 20 (1892): Con Moto
Romance In A Minor For Horn And Piano, WoO 21 (1890)
Feuille D'Album In F Sharp Major, WoO 25; Allegretto
Klavierstücke In B Flat Minor, Anh 16
Variations On A Russian Theme For String Quartet (1899) (Variations By Various Composers)
Theme: Adagio
Variation I: Allegretto
Variation II: Allegretto, WoO 23
Variation III: Andantino
Variation IV: Allegro
Variation V: Canon: Adagio
Variation VI: Allegretto
Variation VII: Allegro
Variation VIII: Andante Cantabile
Variation IX: Fugato: Allegro
Variation X: Finale: Allegro
Andante And Scherzo For Strings
Andante (1889), Anh. 20
Scherzo (1888), Anh. 18
Symphonic Poem In D Minor, WoO 24 (1896-97)
Piano Concerto In F Sharp Minor, Op.20 (1896)
I Allegro
II Andante
III Allegro
Rêverie, Op.24 (1898)
Symphony No.1 In E Major, Op.26 (1899-1900)
I Lento
II Allegro Drammatico
III Lento
IV Vivace
V Allegro
VI Andante
Symphony No.2 In C Minor, Op.29 (1901)
I Andante -
II Allegro
III Andante
IV Tempestoso -
V Marcia: Maestoso
Symphony No.3 In C Minor, Op.43, "Le Divin Poème" (1902-04)
Lento. Divin, Grandiose -
I Luttes: Allegro. Mysterieux, Tragique -
II Voluptes: Lento - Vivo -
III Jeu Divin: Allegro - Vivo - Allegro
Le Poème De L'Extase = The Poem Of Ecstasy, Op.54 (1905-08)
Prométhée: Le Poème Du Feu = Prometheus: The Poem Of Fire, Op.60 (1908-10)
Nuances (1974) (Ballet On Late Piano Works By Scriabin)
I Pas Vite (Poème Languide, Op.52 No.3)
II Allegretto (Poème, Op.59, No.1)
III Con Delicatezza (Feuillet D'Album, Op.58)
IV Vivo (Poème Ailé, Op.51 No.3)
V Con Delicatezza Cristaallina (Désir, Op.57, No.1)
VI Avec Enchantement (Caresse Dansée, Op.57 No.2)
VII Allegro Fantastico (Étude, Op.65 No.1)
VIII Avec Une Grâce Capricieuse (Poème-Nocturene, Op.61)
IX Fier, Belliqueux (Prélude, Op.74 No.5)
X Fantastique (Poème, Op.71 No.1)
XI Sauvage, Belliqueux (Prélude, Op.59 No.2)
XII Allegretto (Masque, Op.63 No.1)
XIII Gracieux, Délicat (Étrangeté, Op.63 No.2)
XIV Molto Vivace (Étude, Op.67 No.2)
Preparation For The Final Mystery: Part One: Universe
Lent. Impérieux
Douloureux Déchirant
Etrange, Charme
Flamboyant
Ondoyant - Le Rêve Prend Forme
Doux, Fremissant
Volando
Più Mosso - De Plus En Plus Triumphant
Preparation For The Final Mystery: Part Two: Mankind
Giubiloso, Extatique
Grandioso Et Énigmatique
Solennemente, Rituale
Déchirant - Dedicazione
Religioso - Mystérieusement - Fermamente Luminoso
Con Timidezza - Misterioso, Concentré - Avec Un Volupté Radieuse - Très Dansant
Preparation For The Final Mystery: Part Three: Transfiguration
Allegro Con Colera - Lento Timidamente - Febbrilmente
Lent, Vague, Indécis
Très Lent, Contemplatif
Avec Un Intense Désir
Infernale
Sublime
Con Timidezza - Con Agitazione - Con Ira - Con Rabbia
Per Enigma, Inafferando
Contemplatif - Supplicare - Con Lagrime - Devoto
Misterioso, Avec Une Ardeur Profonde Et Voilée
Calme - Extatique
Étude In C Sharp Minor, Op.2, No.1: Andante
Étude In D Sharp Minor, Op.8 No.12: Patetico
Prélude In D Major, Op.11, No.5: Andante Cantabile
Vers La Flamme, Op.72: Poème: Allegro Moderato
Poème In F Sharp Sharp Minor, Op.32 No.1: Andante Cantabile
Étude In C Sharp Minor, Op.42 No.5: Affanato
4 Morceaux, Op.51
I Fragilité (Allegretto)
II Prélude (Lugubre)
III Poème Ailé
IV Danse Languide
10 Mazurkas, Op.3
IV (Moderato) (E Major)
VI Scherzando (C Sharp Minor)
IX (G Sharp Minor)
Piano Sonata No.2 In G Sharp Minor, Op.19 "Sonate-Fantasie" (1892-97)
I Andante
II Presto

notes

CD1: Recordings:
*Haslope Parish Church, Northamptonshire, 21-24 June, 1999 (tracks 5 to 14); (P) 2000 ASV Ltd.
*Potton Hall, Suffolk, 29, 30 November & 1 December 2014 (tracks 2 to 4, 15); (P) 2015 Decca Music Group Limited.
*(Recording location not given); Tracks 16 & 17; (P) 1994 Sanctuary Records Group Ltd.

CD2: Recordings:
*Walthamstow Assembly Hall, London, September 1984 (tracks 1 to 4); (P) 1987 Decca Music Group Limited.
*Hanslope Parish Church, Northamptonshire, 1-3 November 2000 (tracks 5 & 6); (P) 2001 ASV Ltd.
*Britten Studio, Snape Maltings, Suffolk, 15-17 December 2014 (track 19); (P) 2015 Decca Music Group Limited.
*(Recording location not given); Tracks 7 to 18; (P) 1994 Sanctuary Records Group Ltd.

CD3: Recordings:
*Haslope Parish Church, Northamptonshire, 1-3 November 2000 (tracks 3 & 4); (P) 2001 ASV Ltd.
*Britten Studio, Snape Maltings, Suffolk, 15-17 December 2014 (tracks 1, 2, 5 to 31, 36 to 38); (P) 2015 Decca Music Group Limited.
*(Recording location not given); Tracks 7 to 18; (P) 1994 Sanctuary Records Group Ltd.
*(Recording location not given); Tracks 5 to 28, 31 to 36; (P) 1995 ASV Ltd.

CD4: Recordings:
*Kingsway Hall, London, December 1972 (tracks 26 to 29); ADD; (P) 1975 Decca Music Group Limited.
*Beethovensaal, Hanover, December 1990 (tracks 19 & 20); (P) 1991 Deutsche Grammophon GmbH, Hamburg.
*Potton Hall, Suffolk, 29, 30 November & 1 December 2014 (tracks 22 to 25); Recording facilities by Giraffe Productions; (P) 2015 Decca Music Group Limited.
*Britten Studio, Snape Maltings, Suffolk, 15-17 December 2014 (tracks 18 & 21); (P) 2015 Decca Music Group Limited.
*(Recording location not given); Tracks 1 to 17; (P) 1995 ASV Ltd.

CD5: Recordings:
*Kingsway Hall, London, December 1972 (tracks 13 & 14); ADD; (P) 1975 Decca Music Group Limited.
*Kingsway Hall, London, June 1977 (tracks 19 & 20); ADD; (P) 1978 Decca Music Group Limited.
*Switzerland, October 1987 (track 25); (P) 1988 Universal International Music BV.
*Nijmegen Concert Hall, Netherlands, 28 October 1992 (track 12); (P) 1994 Universal International Music BV.
*Hanslope Parish Church, Northamptonshire, 21-24 June 1999 (tracks 1 to 9); (P) 2000 ASV Ltd.
*Hanslope Parish Church, Northamptonshire, 1-3 November 2000 (tracks 10, 11, 15 to 18, 21 to 24, 26 to 28); (P) 2001 ASV Ltd.

CD6: Recordings:
*Italy, 13 October 1962 (track 43); ADD; (P)1963 Deutsche Grammophon GmbH, Hamburg.
*Kingsway Hall, London, April 1982 (tracks 36 to 39); (P) 1987 Decca Music Group Limited.
*Switzerland, October 1987 (tracks 22 & 23); (P) 1988 Universal International Music BV.
*Hanslope Parish Church, Northamptonshire, 21-24 June 1999 (tracks 11 & 12); (P) 2000 ASV Ltd.
*Hanslope Parish Church, Northamptonshire, 1-3 November 2000 (tracks 2 to 5, 7 to 10, 29 to 32); (P) 2001 ASV Ltd.
*Bavaria Musikstudios, Munich, March 2002 (track 35); (P) 2004 Universal Music Classics & Jazz, a division of Universal Music GmbH.
*Potton Hall, Suffolk, 4 & 5 Septemebr, 29, 30 November & 1 December 2014 (tracks 14 to 21, 24 to 26, 28, 40 to 42); Recording facilities by Giraffe Productions.
*Britten Studio, Snape Maltings, Suffolk, 15-17 December 2014 (tracks 1, 13, 33)
(P) 2014 (tracks 6, 13), 2015 (tracks 1, 14 to 21, 24 to 28, 33, 40 to 42) Decca Music Group Limited.

CD7: Recordings:
*Kingsway Hall, London, June 1977 (tracks 1 to 4, 14); ADD; (P) 1978 Decca Music Group Limited.
*Kingsway Hall, London, April 1982 (track 11); (P) 1987 Decca Music Group Limited.
*Nijmegen Concert Hall, Netherlands, 28 October 1992 (track 10); (P) 1994 Universal International Music BV.
*Hanslope Parish Church, Northamptonshire, 1-3 November 2000 (track 9); (P) 2001 ASV Ltd.
*Potton Hall, Suffolk, 29, 30 November & 1 December 2014 (tracks 5 to 7, 12, 13); Recording facilities by Giraffe Productions; (P) 2015 Decca Music Group Limited.
*Britten Studio, Snape Maltings, Suffolk, 15-17 December 2014 (tracks 8, 15 to 17); (P) 2015 Decca Music Group Limited.

CD8: Recordings:
*All Saints' Church, Petersham, Surrey, June 1977 (track 7); ADD
*Kingsway Hall, London, September 1983 (track 1); (P) 1987 Decca Music Group Limited.
*Nijmegen Concert Hall, 28 October 1992 (tracks 11 & 12); (P) 1994 Universal International Music BV.
*Hanslope Parish Church, Northamptonshire, 1-3 November 2000 (tracks 2 & 3); (P) 2001 ASV Ltd.
*Grosser Saal, Konzerthaus, Vienna, 16-21 May 2011 (track 4); (P) 2011 Deutsche Grammophon GmbH, Hamburg.
*Potton Hall, Suffolk, 4 & 5 September (track 17); (P) 2015 Decca Music Group Limited.
*Potton Hall, Suffolk, 29, 30 November & 1 December 2014 (tracks 5, 6, 8 to 10, 13 to 16); (P) 2015 Decca Music Group Limited.

CD9: Recordings:
*Plenarsaal Der Akademie Der Wissenschaften, Munich, 14-18 April 1970 (tracks 6, 18 to 20); ADD; (P) 1972 Deutsche Grammophon GmbH, Hamburg.
*Bavaria Musikstudios, Munich, March 2002 (tracks 1 & 16); (P) 2004 Universal Music Classics & Jazz, a division Of Universal Music GmbH.
*Potton Hall, Suffolk, 7-9 August 2011 (track 17); (P) 2011 Decca Music Group Limited.
*Britten Studio, Snape Maltings, Suffolk, 15-17 December 2014 (tracks 2 to 5, 7 to 15, 21 to 24); (P) 2015 Decca Music Group Limited.

CD10: Recordings:
*Kingsway Hall, London, 27 April 1971 (tracks 15 to 17); ADD; (P) 1971 Decca Music Group Limited.
*Jesus-Christus-Kirche, Berlin-Dahlem, May 1990 (track 18); (P) 1991 Decca Music Group Limited.
*Jesus-Christus-Kirche, Berlin-Dahlem, 18-21 April 2011 (tracks i to 11); (P) 2012 Kuss Quartet.
*Mosfilmoskaya Studio, Moscow, October 1995 (track 14); (P) 1996 HNH International Ltd.
*Altona Culture Church, Hamburg, 17 September 2012, Live Concert (tracks 12 & 13); (P) 2014 Hamburg Strings.

CD11: Recordings:
*Schauspielhaus, Berlin, June 1994; (P) 1995 Decca Music Group Limited.

CD12: Recordings:
*The Netherlands, February 1979; ADD; (P) 1980 Universal International Music BV.

CD13: Recordings:
*Jesus-Christus-Kirche, Berlin-Dahlem, May 1990; (P) 1991 Decca Music Group Limited.

CD14: Recordings:
*Festspielhaus, Baden-Baden, 24-27 July 1999 (track 1); (P) 2001 Decca Music Group Limited.
*Mikaeli Hall, Mikkeli, Finalnd, July 1997 (track 2); (P) 1998 Decca Music Group Limited.
Track 1: Additional recording facilited by Polyhymnia International.

CD15 to CD17: Recordings:
*Jesus-Christus-Kirche, Berlin-Dahlem, 24-27 September 1996 (tracks 15-1 to 15-14, 17-1 to 17-11).
*Jesus-Christus-Kirche, Berlin-Dahlem, 2, 3 & 5 May 1997 (tracks 15-15 to 15-22).
*Jesus-Christus-Kirche, Berlin-Dahlem, 19-21 August 1997 (tracks 16-1 to 16-6).
Editing and Post-production Facilites by Classic Sound Ltd.
Co-production with DeutschlandRadio.
(P) 1999 Decca Music Group Limited.

CD18: Recordings:
*Queen Elizabeth Hall, London, 4 May 1975 (track 3); ADD; (P) 1978 Decca Music Group Limited.
*New York, April 1985 (track 1); (P) 1985 Deutsche Grammophon GmbH, Hamburg.
*RCA Studio A, New York, 12-30 September 1985 (track 2); Recording editing by New York Digital Recordings, Inc.; (P) 1986 Deutsche Grammophon GmbH, Hamburg.
*Philharmonie, Berlin, 27-31 December 1988 (tracks 6 to 10); (P) 1989 Deutsche Grammophon GmbH, Hamburg.
*Nijmegen Concert Hall, The Netherlands, 28 October 1992 (track 4); (P) 1994 Universal International Music BV.
*Carnegie Hall, New York, November 2000 (track 5); (P) 2001 Deutsche Grammophon GmbH, Hamburg.
*Carnegie Hall, New York, 5 February 2013 (tracks 14 & 15); (P) 2013 Deutsche Grammophon GmbH, Hamburg.
*Potton Hall, Suffolk, 7-10 June 2013 (tracks 11 to 13); (P) 2014 Decca Music Group Limited.

This compilation (P) 2015 Decca Music Group Limited.
(C) 2015 Decca Music Group Limited.
Printed in the EU

Package: Clam-shell cardboard box with 18, same-artwork, CD sleeves and an 84-page booklet.

credits

Booklet Editor – WLP Ltd.
Compilation Producer, Compiled By – Edward Weston (2), Raymond McGill
Composed By – Alexander Scriabin,
Edited By – Hans Meije, (tracks: 14-2), Jean Van Vugt (tracks: 14-2)
Edited By [Editing Facilities By] – Stan Taal (tracks: 14-1)
Edited By [Recording Editor] – Ben Connellan (tracks: 7-5 to 7-7, 7-12, 7-13, 8-5, 8-6), David Frost (2) (tracks: 18-14, 18-15), Günther Dieckmann (tracks: 6-43), Helmut Najda (tracks: 6-43), Rainer Maillard (tracks: 18-5 to 18-10), Thijs Hoekstra (tracks: 14-2), Wolf-Dieter Karwatky (tracks: 18-6 to 18-10)
Engineer [Balance] – Bram de Groot (tracks: 14-2), Günter Hermanns (tracks: 18-6 to 18-10), Heinz Wildhagen (tracks: 6-43, 9-6, 9-18 to 9-20), Jaap de Jong (tracks: 14-1), John Dunkerley (tracks: 2-1 to 2-14, 6-36 to 6-39, 7-11, 8-1), Karl-August Naegler (tracks: 4-19, 4-20), Larry Loewinger (tracks: 18-1), Neil Hutchinson (tracks: 15-1 to 16-6), Paul Goodman (tracks: 18-2), Philip Wade (tracks: 18-3), Rainer Maillard (tracks: 18-5), Simon Eadon (tracks: 15-1 to 15-4, 17-1 to 17-11), Stanley Goodall (tracks: 2-1 to 2-14, 6-36 to 6-39, 7-11, 8-1, 11-1 to 11-6), Thomas Monnerjahn (tracks: 10-1 to 10-11), Vitaly Ivanov (tracks: 10-14)
Engineer [Recording] – Arne Akselberg (tracks: 6-6, 18-11 to 18-13), Ben Connellan (tracks: 1-2 to 1-4, 1-15, 4-22 to 4-25, 6-14 to 6-21, 6-24 to 6-26, 6-28, 6-40 to 6-42, 7-5 to 7-7, 7-12, 7-13, 8-5, 8-6, 8-8 to 8-10, 8-13 to 8-17), Graham Meek (tracks: 15-1 to 15-14, 17-1 to 17-11), Hans-Rudolf Müller (tracks: 9-5), Jobst Eberhardt (tracks: 18-6 to 18-10), John Dunkerley (tracks: 5-19, 5-20, 7-1 to 7-4, 7-14, 8-7), John Pellowe (tracks: 10-18, 13-1 to 13-4), Kenneth Wilkinson (tracks: 10-15 to 10-17), Krzysztof Jarosz (tracks: 15-15 to 15-22), Martin Haskell (tracks: 1-5 to 1-14, 1-16, 1-17, 2-5 to 2-18, 3-3 to 3-28, 3-31 to 3-36, 4-1 to 4-17, 5-1 to 5-11, 5-15 to 5-18, 5-21 to 5-24, 5-26 to 5-28, 6-2 to 6-5, 6-7 to 6-12, 6-29 to 6-32, 7-9, 8-2, 8-3), Michael Stuart (2) (tracks: 16-1 to 16-6), Simon Eadon (tracks: 4-26 to 4-29, 5-13, 5-14), Stanley Goodall (tracks: 10-15 to 10-17), Thijs Hoekstra (tracks: 14-2), Tobias Lehmann (tracks: 8-4), Tom Lazarus (tracks: 18-14, 18-15), Tony Faulkner (tracks: 9-17), Tryggvi Tryggvason (tracks: 4-26 to 4-29, 5-13, 5-14), Volker Martin (tracks: 18-6 to 18-10), William King (8) (tracks: 18-1), Wolf-Dieter Karwatky (tracks: 18-6 to 18-10), Wolfgang Werner (tracks: 9-5)
Executive-Producer – Dr Alexander Buhr, (tracks: 8-4), Günther Breest (tracks: 18-2, 18-6 to 18-10), Karl Faust (tracks: 9-6, 9-18 to 9-20)
Liner Notes – Hugh Macdonald
Liner Notes [Translation] – Leandra Rhoese, Noémie Catzler
Photography [Cover Image] – Naxos
Photography By [Booklet, p. 13] – Adrienne Solomon
Photography By [Booklet, p. 17] – Susesch Bayat
Photography By [Booklet, p. 21] – Vivianne Purdom
Photography By [Booklet, p. 31] – Felix Broede
Photography By [Booklet, p. 37] – Rudolf Betz
Photography By [Booklet, p. 47] – Maarten Corbijn
Photography By [Booklet, p. 52] – Jim Steere
Photography By [Booklet, p. 59] – Dario Acosta, Mat Hennek
Photography By [Booklet, p. 8] – Gilbert François
Photography By [Booklet, pp. 57, 58] – Arthur Umboh
Producer [Recording] – Alexander Waugh (tracks: 1-5 to 1-14, 1-16, 1-17, 2-5 to 2-18, 3-3 to 3-28, 3-31 to 3-36, 4-1 to 4-17, 5-1 to 5-11, 5-15 to 5-18, 5-21 to 5-24, 5-26 to 5-28, 6-2 to 6-5, 6-7 to 6-12, 6-29 to 6-32, 7-9, 8-2, 8-3), Andrew Cornall (tracks: 2-1 to 2-4, 6-36 to 6-39, 7-11, 8-1, 11-1 to 11-16, 15-1 to 17-11), Anna Barry (tracks: 14-2), Christian Gansch (tracks: 18-5), Christoph Claßen (tracks: 8-4), Christopher Raeburn (tracks: 10-15 to 10-17), David Frost (2) (tracks: 18-14, 18-15), Edvard Shakhnazarian (tracks: 10-14), Hans-Rudolf Müller (tracks: 4-19, 4-20), Hermine Sterringa (tracks: 14-2), Jeremy Hayes (tracks: 1-2 to 1-4, 1-15, 4-22 to 4-25, 6-14 to 6-21, 6-24 to 6-26, 6-28, 6-40 to 6-42, 7-5 to 7-7, 7-12, 7-13, 8-5, 8-6, 8-8 to 8-10, 8-13 to 8-17, 9-17), John Pfeiffer (tracks: 18-1), Karl-August Naegler (tracks: 4-19, 4-20), Dr. Manfred Richter, (tracks: 6-43), Michael Haas (3) (tracks: 10-18, 13-1 to 13-4), Michael Leverkus (tracks: 10-1 to 10-11), Michel Glotz (tracks: 18-6 to 18-10), Mike George (tracks: 6-6, 18-11 to 18-13), Patrick Allen (2) (tracks: 2-19, 3-1, 3-2, 3-29 to 3-30, 3-37, 3-38, 4-18, 4-21, 6-1, 6-13, 6-33, 7-8, 7-15 to 7-17, 9-2 to 9-5, 9-7 to 9-15, 9-21 to 9-24), Peter Wadland (tracks: 18-3), Rainer Brock (tracks: 9-6, 9-18 to 9-20), Ray Minshull (tracks: 4-26 to 4-29, 5-13, 5-14), Richard Beswick (2) (tracks: 5-19, 5-20, 7-1 to 7-4, 7-14, 8-7), Stan Taal (tracks: 14-1), Thomas Frost (tracks: 18-2)
Product Manager [Project Management] – Edward Weston (2), Raymond McGill
Research [Repertory Research Assistance] – Cerys Weetch

companies

Phonographic Copyright (p) – Decca Music Group Limited
Copyright (c) – Decca Music Group Limited
Recorded At – Hanslope Parish Church, Northamptonshire
Recorded At – Potton Hall
Recorded At – Walthamstow Assembly Hall
Recorded At – Britten Studio
Recorded At – Kingsway Hall
Recorded At – Beethovensaal, Hannover
Recorded At – De Vereeniging
Recorded At – Bavaria Musikstudios
Recorded At – All Saints Church Petersham
Recorded At – Wiener Konzerthaus
Recorded At – Plenarsaal Der Akademie Der Wissenschaften
Recorded At – Jesus-Christus-Kirche, Berlin
Recorded At – Mosfilm Studio, Moscow
Recorded At – St. Johannis, Hamburg-Altona
Recorded At – Schauspielhaus Berlin
Recorded At – Festspielhaus, Baden-Baden
Recorded At – Mikaeli Concert Hall
Recorded At – Queen Elizabeth Hall
Recorded At – RCA Studios, New York
Recorded At – Berliner Philharmonie
Recorded At – Carnegie Hall
Pressed By – Sony DADC
Designed At – WLP Ltd.
Phonographic Copyright (p) – Sanctuary Records Group Ltd.
Phonographic Copyright (p) – ASV Ltd.
Phonographic Copyright (p) – Deutsche Grammophon GmbH
Phonographic Copyright (p) – Universal International Music B.V.
Phonographic Copyright (p) – Universal Music Classics & Jazz
Phonographic Copyright (p) – Universal Music GmbH
Phonographic Copyright (p) – HNH International Ltd.
Phonographic Copyright (p) – Kuss Quartet
Phonographic Copyright (p) – Hamburg Strings

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